Kita Kannon Yama is perhaps the most traditional float and chōnai in the festival; only chōnai members and their guests may visit the float and its treasures. As the municipal, prefectural and national governments have promoted the festival as a tourist attraction, Kita Kannon Yama has managed to retain its original feel as a neighborhood event. This neighborhood has also conserved traditional buildings, including some of the most beautiful and generous byōbu matsuri displays in the entire festival.
As the name suggests, this float is one of two dedicated to Kannon, the Buddhist bodhisattva of compassion. Kannon is the Japanese version of Avalokiteshvara, the Indian bodhisattva of compassion, who is male. Kannon is typically female, though Kita Kannon Yama’s sacred statue of Kannon sports a light moustache and goatee. This points to a longstanding if little-recognized tradition of gender flexibility in this country, which can also be seen at Iwatō Yama. See Minami Kannon Yama for more about Kannon. Just to keep us on our toes, Kita Kannon Yama, Minami Kannon Yama and Iwatō Yama form a small group of yama that look like hoko. The pine as their central “mastpole,” is what marks them as a yama.
Buy my book, “Gion Festival: Exploring Its Mysteries,” to learn more about the spectacular Gion Festival than you can anywhere else. Some former directors of Gion Matsuri float associations have told me they believe it’s better than any books available on the Gion Matsuri in Japanese. I’m pleased to gift you a free excerpt here.
Interested in sharing this content? Check out the Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License for guidelines on how. This is a cool way to grow a culture of generosity. In Buddhism, generosity is one of the foundational practices of spiritual enlightenment. So it’s worth a try.